I got really fed up with the Real Book version, so I tried to do a lead sheet that would get the Coltrane version. I used what I think was the original 'hit' recording. Kind of hard to boil this one down to a useable leadsheet -- I wanted to come up with something fairly similar to what I thought the group (Trane, Tyner, Garrison, Jones) might have in their mind at the time when they recorded it. Goal wasn't a 'transcription,' but, rather just a useable leadsheet that got the essence of the thing -- Though I still probably weaseled a bit on the melody and just transcribed it rather than trying to strip it of unessentials. I was hoping to come up with something that would actually be useable and put an end to the wretched reading-out-of-the-Real-Book version that ends up being played too often. A lot of tough decisions: Like whether to include the pedal bass in the chords, what to do about the vamp lengths, how to change from section to section and still have some semblance of a form, etc., etc.

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Musicnotes features the world's largest online digital sheet music catalogue with over 300,000 arrangements available to print and play instantly. Shop our newest and most popular John Coltrane sheet music such as 'Giant Steps', 'My Favorite Things' and 'Naima', or click the button above to browse all John Coltrane sheet music.

Programma profstroj 3. ScotGormley 26/3/2010, 1:36 น. I'm still going back and forth over a few chord names, like whether the F#-7(9,11)/B in the intro should just be a Bsus13, More importantly: Whether the chord between the A-7(9)/E and B-7/E in bar 10 from the 'Top' should be D13(b9)/E or B7(b9)/E. Same thing for the last chord before the vamp out -- Whether to call it B7(b9)/E or D13(b9)/E. In both cases the structure is B F# D# C E (bass) The four-note stack above the bass is a pretty common and logical piano voicing.

Trouble is, it could go either way -- Today I'm leaning toward B7(b9)/E in bar 10 (right now it's D13(b9)/E), since I hear it more as an E minor tonality than a diminished thing. In either case, the E in the melody doesn't conflict vertically because the comping happens on the 2nd beat, after the E has moved to an F#. Today, D13(b9)/E in the bar before the Coda just because it makes more sense going to the Gmaj7. Maybe I'll change my mind again tomorrow. YMMV -- Maybe we'll eventually get a consensus on those chords. 'Des Higgins' wrote in message news:8fe7b0df-8429-44d2-94e2-ea611842f95d@g28g2000yqh.googlegroups.com.

Catha.@gmail.com 6/4/2015, 13:27 น.

Released March 1961 Recorded October 21, 24, 26, 1960 Length 40: 42 chronology (1961) My Favorite Things (1961) (1961) Professional ratings Review scores Source Rating My Favorite Things is the seventh studio album by musician, released in 1961 on, catalogue SD-1361. It was the first album to feature Coltrane playing. An edited version of became a hit that gained popularity in 1961 on radio. The record became a major commercial success.

In 1998, the album received the award. It attained gold record status in 2018, having sold 500,000 copies. Contents • • • • • • • • Background [ ] In March 1960, while on tour in Europe, purchased a soprano saxophone for Coltrane. With the exception of 's late 1950s work with the pianist, the instrument had become little used in jazz at that time. Intrigued by its capabilities, Coltrane began playing it at his summer club dates. After leaving the Davis band, Coltrane, for his first regular bookings at New York's Jazz Gallery in the summer of 1960, assembled the first version of the John Coltrane Quartet. The line-up settled by autumn with on piano, on bass, and on drums.